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TrueFire Licks & Rockabilly Pack

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Rock, Billy, & Boogie Guidebook|30 Penta Sonic Blues Licks You MUST Know|50 Alternative Roots Licks You MUST
Know
  By: Walter Broes, Robbie Laws, Mischa Den Haring
  
  About Walter Broes' Rock, Billy,
& Boogie Guidebook
  Essential Rhythm & Soloing Approaches for Rockabilly Guitar
  Curriculum
  
   Rockabilly
   Hybrid Picking
   Left-Hand Techniques
   Travis Picking
   Soloing

  Right-Hand Techniques
  
  Instrument
  
   Guitar
   Electric Guitar
  
 
Series
  
   Guidebook
  
  Styles
  
   Rockabilly
   Americana
   Country
  
  Skill Level
  
   Intermediate
   Late Intermediate
  
  Release Date
  Nove
20th, 2015
  Dating back to the early 50s, Rockabilly blended country, hillbilly, jump blues and western swing to
form one of the earliest styles of rock music. Rockabilly launched the careers of Elvis Presley, Jerry Lee Lewis, Bill
Haley, Roy Orbison and Buddy Holly with its raunchy blues riffs, uptown Western swing licks, and foot-tapping boogie
patterns, all of which you’ll get plenty of here in this Rock, Billy & Boogie Guidebook from Walter Broes.
  
  Band leader, singer/songwriter and guitarist in the Belgium’s most popular roots rock band, The
Seatsniffers, Walter recorded seven albums and toured all over Europe for 15+ years with the band. A self-professed
guitar geek, Walter has a deep love for American Roots music styles and is a passionate educator. We’re thrilled
to welcome Walter to the family with his first TrueFire course.
  
  ”We're going to take an in depth
look at some of my favorite guitar players from the 50's who shaped this exciting style, including my all-time favorite
Grady Martin. We'll also stray off the beaten path a little and dig into some lesser famous studio pickers, like Scotty
Moore, who turned country thumbpicking into exciting rock and roll riffs.”
  
  Walter organized the
course into two sections. In the first section, you’ll work through the key concepts and techniques that are
requisite Rockabilly skills: Travis Picking: History, Travis Picking: Use, Travis Picking: Technique, Chords, Lead
Playing, Echo: History and Echo: Use
  
  In the second section, you’ll put all of the key concepts and
techniques to work as you play your way through 16 Performance Studies designed to give you a versatile Rockabilly
vocabulary inspired by many of the greatest Rockabilly guitarists in history.
  
  Walter demonstrates all of
the Performance Studies over rhythm tracks and then breaks them down by stepping you through the key concepts,
techniques and creative approaches that he used in each study.
  
  Scotty Moore's Train - ”The guitar
parts and licks that Presley’s guitar player, Scotty Moore, came up with are some of the most influential and
imitated in rockabilly guitar. Mystery Train is a great tune to learn, as it'll introduces you to a finger picked
alternating bass pattern and schools you in the aesthetics of rockabilly guitar.”
  
  Single Note
Scotty - ”When Elvis moved from Sun Records to RCA records, his style changed a little. A lot of recordings
featured a larger band than the stripped down acoustic guitar/electric guitar/double bass combo you hear on the Sun-era
recordings. This freed up Scotty Moore to play more single note guitar parts than he played before, and he was as
brilliant at playing exciting single note leads as he was at playing Travis-inspired finger picked parts.”
 

  Travis Lead - ”In a lot of cases, you'll hear Travis-picked parts used for rhythm and backup. Playing
finger picked leads doesn’t have to be a lot more complicated though; simple variations of your rhythm pattern
will get your there, or chord shapes/inversions played higher up on the fingerboard. The triplet lick in the second part
of this example is a classic, and though its origin isn’t in rockabilly music, it’s a lick that pops up
often and isn't that hard to play. Very flashy and effective, and a great panic button.”
  
  Clever
With Chords - ”A good way to stop jumping around the fretboard all the time in big intervals is to figure out
different inversions of the chords you know or usually play. Trying to stick to the position of your I chord when
figuring out your IV and V chord positions is a great place to start, and playing the different chords with as many
notes in common as possible can really make or break a part and make it more effective and musical.”
  

 Walking The Strings - ”This move is a staple in the Merle Travis repertoire, and can also be heard in Scotty
Moore’s playing. It’s not too difficult once you have the basic move down, and can really add excitement
and direction to backup or lead parts.”
  
  Rockin' Hybrid Rhythm - ”Using a hybrid grip where
you play with a flatpick and your fingers can be a great way to spice up your rhythm playing. There’s more going
on than you can typically do with just a flatpick, and having the flatpick ready to go at any time leaves you the
possibility of throwing in a lead fill or faster eighth-note or triplets.”
  
  Boom Chick - ”This
style of playing is all over hardcore honky tonk country, and it's one of the main influences on rockabilly. Listening
to it, it can seem almost too easy to pay attention to, but try playing along to your favorite records in different
spots on the fretboard and you'll see it’s not always as easy as it sounds. Having this style of backup in your
bag of tricks is almost essential, so practicing it in different positions, closed as well as open, is a good
idea.”
  
  One Bar Boogie Pattern - ”If you're the only electric guitarist in a rockabilly
setting, boogie patterns on guitar are something you'll be playing a lot of. Make sure to listen to some boogie-woogie
piano for some inspiration! Blues and R&B players are another great source of inspiration, as well as country and
honky tonk players. From Lightnin’ Hopkins to Arthur “Guitar Boogie” Smith, there are too many
examples to list, and listening to them will give you ideas for improvising your own boogie lines fairly
quickly.”
  
  Two Bar Boogie Pattern - ”Two-bar boogie patterns are a little harder than the
one-bar kind, so having them organized in your head before jumping head-first into a tune is a good idea. Two-bar boogie
lines give an entirely different feel to an arrangement and really fill out the sound. Remember to lay back and don't
rush: these patterns work best if you're a little bit behind the beat, emphasizing beat two and four, making the band
swing a little harder.”
  
  Harmonized Boogie - ”Harmonized boogie lines and leads are almost
impossible to come up with on the spot if you've never figured out how they work. They can seem a little daunting in a
“what the heck is going on here?” kind of way, but once you realize you're really only playing chord or
scale tones, you'll find harmonized lines are really not all that far-fetched, and they can really add a lot of flavor
to an arrangement.”
  
  Boogie: Bass & Chromatic - ”Here we're really looking over the bass
player’s shoulder for inspiration. Walking bass lines and chromatic connecting notes between chord and scale
tones can make boogie patterns a lot less generic, and sound a little busier to add excitement to a tune. This, again,
can be a little more involved than it sounds, so take it slow and take your time to figure this type of thing
out.”
  
  Straight Eights Or Not - ”The “swing against straight eights” is the thing
that separates “rock and roll” from “rock." For some great examples, listen to the rhythm guitar on
Chuck Berry’s Almost Grown, on which he plays straight eights against the drummer’s triplet swing feel on
the high-hat and cymbals. Little Richard’s music on the Specialty label is another killer example of this
phenomenon at work; he'll play straight eights on his piano against drummer Earl Palmer’s swing beat.”
  
  G For Grady - ”Grady Martin was a Nashville A-list session player in the 50’s and 60’s,
playing on an incredible number of records in many different styles. He’s probably one of the only session
players to play on rockabilly records who gets some credit, as he really put his stamp on the style. Look for recordings
by the Johnny Burnette Rock and Roll Trio, Johnny Carroll, Brenda Lee, Don Woody, Johnny Horton, Gene Maltais, and Wayne
Walker for examples of him playing rock and roll and rockabilly.”
  
  Grady A - ”In this example
we'll look at some typical Grady Martin-isms in the key of A. Note the clever use of double and triple stops, and his
fairly unique use of open strings. It’s rumored Martin didn't think much of the rock and roll sessions he played
and was surprised when people asked him about them.”
  
  Grady Leads in E - ”Grady Martin had his
own unique approach to open strings, and doesn't just start licks on them but uses them almost as a drone when moving
little riffs around. Twangy open string riffs on the low strings are something he had in common with Duane Eddy,
it’s almost impossible to say today who influenced who, or if there was just some synchronicity in the air and
licks like these were going to materialize no matter what!”
  
  No Big Blues Bends - ”This is not
a rule as much as it is a general pointer: As with anything, there are big exceptions to the “no big blues
bends” idea in rockabilly music. What I'm getting at in this example is that a lot of us fall into the habit of
playing typical bends when playing the minor pentatonic scale in a I - IV - V setting, and that it’s worth
re-evaluating when you’re tackling rockabilly. There are a lot of very cool riffs and licks involving the minor
pentatonic scale where you don't bend any strings, or only use half-step ones.”
  
  Content
Runtime: 2 Hours 41 Minutes
  
  About Robbie Laws' 30 Penta Sonic Blues Licks You MUST Know
 
Learn how to play 30 must-know pentatonic blues licks
  Curriculum
  
   Double Stops
   Soloing
   Licks
   Left-Hand Techniques
   Pentatonic
   Right-Hand Techniques
  
  Instrument

 
   Electric Guitar
   Guitar
  
  Series
  
   Licks You Must Know
  
  Skill
Level
  
   Intermediate
  
  Styles
  
   Blues
   Licks You Must Know
  

 Release Date
  Feb 29th, 2016
  Most blues players tend to get stuck in one or two positions when soloing,
when in fact there are 5 positions available across the fretboard. In Robbie Laws’ 30 Penta Sonic Blues Licks You
MUST Know you’ll learn 30 moveable blues licks in this course — six for each of the five positions! Robbie
also shows you the fingering patterns for all five positions so that you can create your own licks on the fly, anywhere
on the fretboard, in any key.
  
  ”Many players feel trapped in one or two pentatonic box positions,
which really limits your choices on the fretboard, and ultimately limits your ability to convey emotion through your
playing. I'm going to show you the absolute best way to learn all your pentatonic positions in any key, but as you're
learning these positions, you’ll also be adding 30 killer ‘penta sonic’ licks to your
vocabulary.”
  
  Robbie Laws is one of the most decorated guitarists in the Pacific Northwest. He has
been honored with 21 Portland Cascade Blues Association Muddy Awards, nine of which were for Best Electric Guitarist.
Having played with a host of guitar legends ranging from Albert Collins to Ronnie Earl, Robbie has thrilled festival and
concert audiences for over 15 years. We’re very proud to welcome Robbie to the family with his first TrueFire
course, 30 Penta Sonic Blues Licks You MUST Know.
  
  ”Imagine having the confidence to express
yourself anywhere on the fingerboard in any key, at any time. In this course, you’ll learn how to incorporate
longitude and latitude in your playing, allowing you to create licks, lines and chord voicings anywhere on the
fretboard.”
  
  Robbie first gives you a primer on the five pentatonic patterns and then demonstrates
all 30 of the licks over rhythm tracks followed by a detailed breakdown for each lick. All of the licks are tabbed and
notated for your practice, reference and study purposes.
  
  You’ll also get Guitar Pro files so that
you can loop and/or slow any section down as you work through the lessons. Plus, Robbie generously includes all of the
rhythm tracks for you to work with on your own.
  
  Grab your guitar and let’s get Penta Sonic with
Robbie Laws!
  
  Content Runtime: 2 Hours 43 Minutes
  
  
  About Mischa Den
Haring's 50 Alternative Roots Licks You MUST Know
  An essential collection of guitar licks inspired by the
greats.
  Curriculum
  
   Licks
   Right-Hand Techniques
   Left-Hand Techniques
  
Soloing
   Improvisation
  
  Instrument
  
   Guitar
   Electric Guitar
  
 
Series
  
   Licks You Must Know
  
  Skill Level
  
   Intermediate
   Late
Intermediate
  
  Styles
  
   Rock
  
  Release Date
  Nove 18th, 2015
  A
high-octane mix of traditional styles played with an exciting twist and intense energy, Alternative Roots bands and
artists like The Black Keys, Jack White, Black Rebel Motorcycle Club, Calexico and Gary Clark Jr. are all influenced by
blues, country, surf and rock.
  
  This hand-picked collection of 50 Alternative Roots Licks from Mischa Den
Haring will equip you with the tool of the trade and a versatile Alternative Roots vocabulary.
  
  As
guitarist/vocalist for alternative roots band T-99, Mischa toured all over Europe and the US and their five albums have
all received unprecedented critical acclaim. Mischa was nominated twice for best EU guitarist and Blues guitarist by
Guitarist magazine. We’re very proud to welcome Mischa to the family with his first TrueFire course, 50
Alternative Roots Licks You Must Know.
  
  ”We'll look at some original licks, parts of existing
material, and authentic classics that will give you some insight into different approaches to playing alternative roots
music. I'll show you how to play cross rhythms as well as traditional country licks played with an edge and attitude.
We'll also dig into tone, phrasing, dynamics, feel, and the use of effects like fuzz, reverb, tremolo, echo, and
vibrato.”
  
  Mischa demonstrates all of the licks over rhythm tracks and then breaks them down by
stepping you through the key concepts, techniques and creative approaches that he used for each lick.
  
  All
of the licks are tabbed and notated for your practice, reference and study purposes. You’ll also get Guitar Pro
files so that you can play, loop and/or slow down the tab and notation as you work through the lessons. Plus, Mischa
generously includes all of the rhythm tracks for you to work with on your own.
  
  Grab your guitar and
let’s rock our roots with Mischa Den Haring!
  
  Content Runtime: 2 Hours 02 Minutes
  
  
  Jam tracks (backing tracks): MP3 44100Hz stereo 192kbps Quality : WEBRip Format : MP4 Video codec :
H.264 Audio codec : AAC Video : Video: MPEG4 Video (H264) 25fps Audio : Audio: AAC 48000Hz stereo 						

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